2017 Little Green Cafe, Bangalore, BLOG, Cafe/Restaurant, Lime Plaster, Natural Paints, Natural Plaster

2017 Little Green Cafe

We wanted to bring the values that the team at the little green cafe bring to their plate; health, ecology and authenticity.  Natural materials like lime and clay plasters, together with chemical free paints render each textured wall and ceiling. The wood is upcycled teakwood and antique printer shelves. The woodwork and brass inlay in stone for the floor, the woven cane work for the furniture, and the metal fabrication work for the tables were customized and put together by craftsmen of our city. And the little sky of stars above are vintage lampshades from another era! A special attention has been taken to keep the energy consumption of the cafe to a minimum. All the LED bulbs add up to the consumption of just one bulb of sixty watts! Additionally, we have introduced a passive air cooling system as an alternative to air conditioning, a one of its kind for our city that consumes just one tenth of the energy! Each material in its natural and honest form, with as minimum transformation as possible, come together to give you a comfortable, healthy, and uniquely handcrafted surrounding.


 

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2017 An Electropop Ballet, Bangalore, BLOG, Natural Paints, Natural Plaster, Office Interiors

An Electropop Ballet

A choreography of natural materials for the interiors of Aditi Organics Office in Bangalore, India

The site was a 3000 sft empty shell on the first floor of another concrete building in Bangalore city. Walled on three sides, with structural glazing to the west, it overlooks the beautiful canopies of Gulmohar trees together with the mighty ramp of a concrete flyover in the distance. This is a typical illustration of Bangalore’s predicament; striving to be the IT hub while trying to retain its identity as the garden city of India.

The team members at Aditi were enthusiastic about creating a space that reflects who they are. A company whose work is to certify organic agricultural produce in the country, knew that they wanted their office to be a bold and vibrant environment created out of natural materials. That was our design brief.

With a demanding timeline of two months and a challenging budget, what began was an exercise in choreography to waltz in all the materials we love and all the teams on site to complete the project.

While catering to the comfort of the everyday user, we wanted to provide the occasional visitor with an experience; be it the corporate who walks in for a meeting, or a farmer who brings in samples of his soil and produce for certification. An experience of an architecture and a materiality which is closer to nature while responding to today’s aspiration of modernity, aesthetics and comfort.

Within the interior space, we needed partition walls together with plenty of storage and seating, it had to be something easy to implement, considering the short time at hand. We needed a module!

The ubiquitous slotted angle came to our rescue. With great flexibility, 3×3 feet frames have been used to create a rhythm with multiple functions.

The dance could start; a partition wall became a cabinet for storage, a shelf has turned into a bench, a window or a blackboard. These modules have then been filled with plastered panels, rendered in clay or lime, bolted onto them. Pine wood boards, glass, and even exposed fired bricks have been used in some areas, adding to the chorus.

Work desks were handcrafted in solid pine wood. The remaining walls were finished with natural clay and pigmented lime plaster.

Finally, a seamless silver grey oxide floor completes the act, wrapping around inbuilt seating and furniture as well.

As much as team Aditi by its activity, questions the world of agricultural practices, we hope that its office questions the world of interior design. There is no air-conditioning, neither wooden laminates, plastics, resin nor chemical wood treatment in this project.

 

2016 - JJ Maternity Hospital in Hyderabad, BLOG, Health Care

2016 – JJ Maternity Hospital

“The patient should feel like being in a temple, an Aayalam”, Dr.Jayanthi told us, “the hospital should be earthy and calm. A center for healing and birth. Something that can serve as a landmark for both medicine and architecture.” These are the words with which we are working towards building an out-patient unit for a maternity hospital in Kalyanagar, in the heart of Hyderabad City. It will be a five story building in earth 🙂

The project brief is very clear. The thoughts expressed by our client is our driving force in redefining how we look at healing spaces today. We need to keep a functioning hospital while we work around the challenging requirements, to make a space that speaks for itself, together with its purpose, together in earth.

Healthy, breathing, natural, durable, low energy consumption and low environmental impact for mining, processing, transportation, construction and destruction; only one material fulfills all these criterias to near perfection : Earth.

And what better place to explore sustainable design than a hospital!
A healing center can be truly healing if the materials that it uses and the systems on which it relies have a positive impact,
on the people who build it,
the patients who come for consultation,
the doctors and nurses and staff who work there every day,
and for the environment as a whole!

“How does earth architecture render itself as a response to large scale public projects in the core of urban Indian cities?, we ask ourselves.
And as we dive deeper into one of our most challenging projects, we couldn’t wait to share with you a tiny glimpse into what our team is working on.

JJ Interior copy
an interior view of the waiting room adjacent to consultancy rooms 3 and 4

3. HANDS ON WORKSHOPS, Adobe, BLOG, Earth and Straw, Rammed earth, Wattle and Daub

2016 Hands on mud! – Introducing Earth building at NIT,Trichy

When you build with earth, you have to get your hands into it!
Here are glimpses from a series of HANDS-ON workshops;
introducing various earth building techniques to students of Architecture,
at Archcult, National Institute of Technology, Trichy.

The Diversity of Earth Architecture

Earth is the oldest and has been the most essential building material over centuries.
The tradition of making sun dried raw earth bricks popularly known as adobes,
goes back to the beginning of human society.
Adobe is versatile and viable.
Adobe buildings can be found across continents,
where it has been spontaneously and continuously adapted
by people of different cultures,
for housing as well as monumental structures.

 

Archcult-Adobe

Heiress of the wattle and daub,
the Straw & Clay technique is spreading quickly, especially in Europe,
due to its remarkable thermal property
and the comfort that it can bring to our interiors.
It’s main ingredient; Straw, is available virtually everywhere
(wheat, rice, hemp straw, etc)
and when sourced locally,
makes this wall filling material one of the most ecological.

 

Archcult-StrawClay

The world wide tradition of Rammed earth construction
has shown that it is possible to achieve strong majestic buildings
that have withstood the test of time.
The grandeur of Rammed earth architecture has been expressed historically
in houses, forts and palaces;
even the great wall of China is largely built in earth!
Rammed earth is a load bearing technique where earth is compacted
in successive layers within a formwork. 
It has deep roots in countries such as France, South America, Spain, Morocco, China,
and all over the Himalayan area;
where it has proved to be a durable construction material.

 

Archcult-Rammed earth

 

A traditional walling system with a history of 6000 years,
Wattle and Daub is a composite wall building technique
using tightly woven wooden sticks or split Bamboo : the Wattle,
coated with a clay rich subsoil mix,
with chopped straw, hair or Animal Dung : the Daub.
Many historic buildings include Wattle and Daub construction,
and the technique is becoming popular again in more
developed areas as a low-impact sustainable building technique
that is effective in high seismic zones.

Archcult-WattleDaub

2015 Natural Plasters Workshop, 2015 Tadelakt, a moroccan marvel, 3. HANDS ON WORKSHOPS, Bangalore, BLOG, Earth Plaster, Lime Plaster, Natural Plaster, Tadelakt

2015 Creative Plasters : earth, lime, clay … and you

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We are happy to announce a collaboration with Clay Station, Bangalore for the Creative Plasters Workshop. Clay Station is a space for the experienced, aspiring and recreational potter. We love earth, and so do they. Together we bring a workshop to explore with you, what we are most passionate about.


 

A plaster that breathes; that regulates temperature and humidity inside a building; that absorbs both noise and odors; that ages beautifully with time. Add to that the infinite possibilities in aesthetics; pigmented or plain, smooth or grainy, regular or patterned, contemporary or rustic; natural plaster is irresistible!

Earth is the most widely available natural building material. It uses little or no energy in processing. It’s incredible plasticity, ecological and aesthetic qualities have enabled our ancestors to use it in abundance to build their homes, and in perfect harmony with their environment. Earth plaster, unlike paints and chemical coatings, do not emit any volatile components which could be harmful to our health. Being locally sourced, earth plasters reduce the environmental impact of our construction.

All over the world, there exists an incredible diversity of traditional recipes of natural plaster. It is this diversity of ingredients married with the many possibilities of textures and colors offered by the land, that is at the origin of this workshop.

Anybody can create natural plasters, together with the soil of their place, a dose of creativity, a trowel of motivation and a bit of experience! A place for experimentation, exhibition and knowledge sharing, the Creative Plasters workshop invites you to Clay Station for a one day hands-on session on the 19th or 20th of December 2015

Come and learn with us!

What will you learn?

Prepare, test and apply earth plasters (raw and stabilised) | Wall preparation | Base plaster | Finishing plaster | Decoration, plaster carving, embossing, use of color oxides and pigments | Discover and try the traditional Moroccan Tadelakt technique, a fine richly coloured water-proof plaster.

Prerequisites

Earth construction is for all! No requisite except the motivation to learn and the desire to play with the material.

The Program

One day workshop on the 19th or 20th of December 2015
from 9:00 am to 06:00 pm, lunch included.

The venue

The workshop will take place in the production facility of “Clay Station”

Clay station production unit,
L75, 15th cross, near Indian Bank
HSR layout, Bangalore 56 0102

Google map : https://goo.gl/maps/rL9up9jvxtB2
GPS coordinates : 12.914055, 77.630304
Equipment and material
Dress to get dirty! Bring a round smooth stone for the Tadelakt technique

Registration and fees

Maximum 20 participants on a first come first served basis
Fees : 2000 Rs  (1200 Rs for students, please send a scan of your student ID card, to : madeinearthindia@gmail.com )

ONLINE REGISTRATION FORM  : http://tinyurl.com/151219-PlasterWorkshop
Registration closes on the 14th of December.

Contact

madeinearthindia [at] gmail.com

Organisers

Clay Station www.claystation.in

Clay_Station_logo
Made In Earth Collective www.madeinearth.in

MIE logo-full

 

2015 An Introduction to Natural plasters, 2015 Tadelakt, a moroccan marvel, 3. HANDS ON WORKSHOPS, Bangalore, BLOG, Earth Plaster, India, Lime Plaster, Natural Plaster, Tadelakt 3 comments on Tadelakt, a Moroccan Marvel

Tadelakt, a Moroccan Marvel

There is a certain magic in working with natural materials, there is life in using earth and lime. There is a large palette to play with, but it was not until I learnt about Tadelakt, the Moroccan marvel technique, did I discover the pure class of craftsmanship in earth.

There were almost twenty of us, trying out this magical technique, on small earth block samples; Unsure of what it is going to feel like, how it is going to turn out, and what kind of commitment it requires. We had prepared our based plaster with lime and pigment on an adobe block, asked to choose a stone and begin!

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Dating thousands of years, Tadelakt is a magical water resistant chemistry of lime & vegetable oil resulting in a glimmering monolithic plaster that twinkles in the light as it seamlessly extends across surfaces of our structures, showcasing its extreme craftsmanship. A living surface that’s as hard as stone and as soft as leather, as breathing and waterproof as our skin; has its origins in the ancient city of Marrakech in Morocco.

16-ii 07-20 06-bbbTadelakt  is a particularly high lime-to- aggregate ratio which is applied in multiple thin coats to a substrate, such as an earthen wall surface, polished and then caressed with smooth stones. Finally. it is rubbed down with organic soap, with patience and a lot of love to make the surface seamless.

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It took time, a lot of time, for the surface to evolve, and to obtain the finish for this technique is all about the time spent making it.

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Tadelakt did surprise us. It demanded much more respect, and turned out much more elegant than what we expected. Now I know how and why this moroccan masterpiece had the ability to withstand the sands of time. Being water proof and customisable in different coloured finishes, having the ability to follow all forms of building; still holding the ability to breathe, with a property to gain beauty and strength over time, there is definitely magic here. It takes time to create timeless masterpieces; and if we have enough, Tadelakt surfaces are carefully sculpted artwork with a soul.

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By Santosh PrabhuTadelakt Workshop Participant & Intern at Made In Earth

2015 Kashi Primary School, Adobe, Benaras, BLOG, Earth Plaster, Lime Plaster, Natural Plaster, Rammed earth, Tadelakt, Uttar Pradesh 1 comment on Benaras Primary School

Benaras Primary School

“For us, it goes in circles, move and continue, and move and continue
and keep moving.”– This brief from the team at Kashi Education Society came a long way in shaping our design process.
We imagine children running, walking along walls, a casual finger trailing a texture or a motif along a wall, stopping to peep through a little window unto the green fields, escaping into a class and resurfacing somewhere else, oblivious to the building around them.

Benaras 01c

Benaras 01d

Benaras 01e

Benaras 04a

Benaras 04b

Benaras 04c